Wednesday, 31 July 2013

Literature Review

I thought it may be of interest to someone out there if I posted my bibliography on here. This is not meant to be the definitive word on the topic under investigation, but I hope it's fairly thorough.


Bibliography

Barker, M. and Brooks, K. 1998, Knowing Audiences: Judge Dredd: Its Fans, Friends and Foes, Luton, University of Luton Press

Bayman, L. and Rigoletto, S. eds. 2013, Popular Italian Cinema, 2013, Chippenham, Palgrave Macmillan

Benzel, T. 2012, Muchas Gracias Seňor Lobo: Paul Naschy Memorabilia, Birkenfeld, Kessler & Benzel GbR

Bergfelder, T. 2005, International Adventures: German Popular Cinema and European Co-Productions in the 1960s, Oxford, Berghan Books

Branaghan, S. edited by Chibnall, S. 2006, British Film Posters: An Illustrated History, Cambridge, BFI/ Cambridge University Press

Chapman, J., Glancy, M. and Harper, S. 2007, The New Film History: Sources, Methods, Approaches, 2007, Basingstoke, Palgrave Macmillan

Chibnall, S. and McFarlane, B. 2009, The British 'B' Film, Camberley, BFI/ Palgrave Macmillan

Chibnall, S. 2013, 'Rome, Open for British Production: The Lost World of 'Britalian' films, 1946-1954', Historical Journal of Film, Radio and Television, 33:2, 234-269

Creepy Images [journal] available through: www.creepy-images.com 

Davies, R. R. 2011, Kiss Kiss Kill Kill: The Graphic Art and Forgotten Spy Films of Cold War Europe, St Albans, Picture and Sound Ltd

Devraj, R. Duncan, P. ed. 2010, The Art of Bollywood, Hong Kong, Taschen

Dougall, A. consultant ed. Gassner, D. 2012, James Bond: 50 Years of Movie Posters, London, Dorling Kindersley

Dyer, G. 1982, Advertising as Communication, London, Routledge

Eley, G. 2005, A Crooked Line: From Cultural History to The History of Society, London, The University of Michigan Press

Garret S. Balazs, A. ed. 1996, Hollywood Handbook, New York, Universe Publishing

Grant, K. 2011, Any Gun Can Play: The Essential Guide to Euro-Westerns, Godalming, FAB Press

Hall, S. and Neale, S. 2010, Epics, Spectacles and Blockbusters: A Hollywood History, Michigan, Wayne State University Press

Hamilton, J. 2005, Beasts in the Cellar: The Exploitation Film Career of Tony Tenser, Godalming, FAB Press

Hanson, S. 2007, From Silent Screen to Multi-Screen: A History of Cinema Exhibition in Britain Since 1896, Manchester, Manchester University Press

Hantke, S. ed. 2004, Horror Film: Creating and Marketing Fear, Mississippi, University Press of Mississippi

Hawkins, J. 2000, Cutting Edge: Art Horror and the Avante-garde, Minnesota, The University of Minnesota Press

Hearn, M. 2010, The Art of Hammer, China, Titan Books

Hughes, H. 2004, Once Upon a Time in the Italian West, Padstow, I.B. Taurus

Hunter, I. Q. 2013, British Trash Cinema, Basingstoke, BFI/ Palgrave Macmillan

Jackson, N. 2012, 'Stained With the Blood of the Marketing Department', paper given at Cine Excess, London

Lamberti, E. ed. 2012, Behind the Scenes at the BBFC: Film Classification from the Silver Screen to the Digital Age, London, BFI/ Palgrave Macmillan

Murphy, R. ed. 1997, The British Cinema Book, 1st edition, London, BFI

Nava, M. 2007, Visceral Cosmopolitanism: Gender Culture and the Normalisation of Difference, 1st edition, London, Bloomsbury/ Berg Publishers

Nowell-Smith, G. and Ricci, S. eds. 1998, Hollywood and Europe: Economics, Culture and National Identity 1945-95 , London, BFI

Sarowitz, Sam, 2008, Translating Hollywood: The World of Movie Posters, New York, Mark Batty Publisher

Schaefer, E. 1999, "Bold! Daring! Shocking! True!" A History of Exploitation Films, 1919-1959, Durham, Duke University Press

Shipka, D. 2011, Perverse Titillation: The Exploitation Cinema of Italy, Spain and France, 1960-1980, North Carolina, McFarland

Smith, A. 2012, 'Cowboys and Cannibals: an interview with Ruggero Deodato', Diabolique, Issue no. 8, Jan/ Feb 2012

Spicer, A. and McKenna, A.T. 2013, The Man Who Got Carter: Michael Klinger, Independent Production and the British Film Industry, 1960-1980, London, IB Taurus

Trevelyan, J. 1973, What the Censor Saw, Slough, Michael Joseph Ltd

Waller, G. A. 2002, Moviegoing in America, Oxford, Blackwell Publishers







2 comments:

  1. Prof. Smith, do you know why Il Demonio was not shown in theaters in Italy -- which is where the story takes place?

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    Replies
    1. This is a good question. I only have details regarding the UK distribution I'm afraid. I have no idea how the film did in other countries, but I would be interested to know if you ever find out!

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