One of Compton's discoveries in the mid-1960s was the Argentinian actress Isabel Sarli. Working with her husband, film director Armando Bo, she rapidly became a star thanks to her "give it to me big boy" eyes and her propensity to shed clothes whenever possible. It is surprising given the strict Catholic sensibility of her home country, but these were qualities that Compton were certainly keen to exploit here in the UK. Below is an example of typical Compton marketing; self-promotion as news.
Tony Tenser always claimed to have dubbed Brigitte Bardot "sex kitten" when he marketed And God Created Woman (1956) for Miracle Films. He was at it again here, with Sarli becoming "The Goddess" in yet another tempting offering.
Sadly the movies themselves are difficult to see now, at least with English subtitles. Isabel Sarli is still alive, and someone recently made a Spanish language documentary about her. She is more-or-less forgotten over here now, a footnote in international cinema, but she was certainly a hit in the 1960s. Tony Klinger, an employee of Compton, remembers meeting her when she visited the UK to help promote her films. She was as stunning in real life as the pictures from this press release suggest.
Amidst the relics of the Compton archive I found a packet of materials on Isabel Sarli, including press cuttings from Argentina and a showman campaign created by Steve Prentoulis Films of New York, so she clearly made some sort of impact in the States.
Im not sure whether Isabel Sarli will figure large in my PhD, but she is another example of the diversity of choice in British cinemas in the 1960s.
